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144366 author: skinnylatte@hachyderm.io 25 Dec 2024 19:16
tags: #believeinfilm #filmphotography #filmscanning #photography

I scanned the same photo 3 different ways.

1. Fuji Frontier
2. Nikon Coolscan 8000 ED with VueScan + NLP
3. Nikon Coolscan 8000 ED with VueScan color inversion for Kodak Portra setting

Pros and cons to each type of scanning.

Once I get NikonScan working, I will compare that as well.

Right now my 2 main fave ways to scan are with Fuji Frontier (I rent it at a darkroom) or with my CoolScan with VueScan and NLP.

a scan of a medium format color photo of a noodle stall in singapore, scanned using fuji frontier. the colors are bit more vibrant and contrasty

a scan of a medium format color photo of a noodle stall in singapore, scanned using nikon coolscan 8000 ed with vuescan and NLP. the colors are pretty warm but i did also bump it up.

a scan of a medium format color photo of a noodle stall in singapore, scanned using nikon coolscan 8000 ed using vuescan color inversion out of the box. it's my least favorite way to do color inversion

107534 author: brunoph@breakpoint.cafe 17 Nov 2024 06:03
tags: #analogphotography #film #filmscanning #nikonz6iii

I think I finally found the perfect use-case for pixel-shift super-resolution: scanning film.

✓ Subject is immobile, so no motion artifacts
✓ On a 24MP sensor, most film grain is larger than sensor noise after merging, so sensor noise essentially vanishes once downscaled

Here's two scans of the same frame, first done on the lab using a Noritsu professional scanner, and the second done using my Nikon Z6 III pixel-shift mode, then downscaled.

shot scanned on the lab

top floors and cap of a city building, lit from the side by the setting sun, casting it in a faint red-ish glow. in the background, mountains are visible, with puffy clouds above, also shining with the same orange-red cast of the sunset.

shot scanned with the Nikon Z6 III in super-resolution mode, then downscaled

top floors and cap of a city building, lit from the side by the setting sun, casting it in a faint red-ish glow. in the background, mountains are visible, with puffy clouds above, also shining with the same orange-red cast of the sunset.

compared to the previous shot, it is noticeably sharper, and the digital noise, albeit still present, seems more controlled and more pleasing (subjective)